CARABELLE      CHEONG
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The Atelier of Shadows





Ceramic 陶艺



Ceramics have long been among the most enduring artifacts of human history. In earlier times, they served not only as vessels of function and beauty but also as valuable objects in barter systems. The craftsmanship of a single ceramic piece could reflect the economic strength, social structure, and cultural identity of a society.

In exploring the legend of Princess Hang Li Po, the historical trail often leads back to the reign of Sultan Mansur Shah (1459–1477), a timeline that aligns with the Ming Dynasty in China. During the early Ming period (1368–1644), smalt cobalt—brought back by Admiral Zheng He’s maritime expeditions—remained the primary pigment for the renowned blue-and-white porcelain. These porcelain works became symbols of technological sophistication and artistic refinement.

At its peak, Melaka was a thriving center of trade, often referred to by historians as a melting pot of cultures. And the word “pot” feels fitting—both literally and metaphorically—inspiring me to continue telling these layered stories through ceramics.


Bloom in Hope I

SOLD
As Flowers Bloom & Fall
Bloom in Hope II
Double Happiness

2024

Porcelain blooms with motifs of resilience,
longing and feminine grace. In Chinese beliefs, Chrysanthemum represents Purity, in able to accept new things, keep our mind and heart
pure to enable acceptance of new beginning.
2024

Reflects the fleeting grace of diplomacy,
longing, and cultural union, echoing the
journey of Hang Li Po. Like a chrysanthemum
in passing seasons, it honors beauty in
transience and strength in surrender.
2024

Violet porcelain is a rare and evocative
ceramic. Once a symbol of imperial prestige, 
the color evokes mystery, spirituality and 
regality. It captures both restraint of 
tradition and the boldness of reinvention.
2024

Known as “Good Luck Gourd”
Keeping in the goodness and love.
Represents ties of both Malay and Chinese 
culture, believe the earliest trace of forming the culture of “Baba and Nyonya”, known as 
Peranakan culture in the early 15th century.

Puteri Hang Li Po

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Hang Li Po’s Well
Sultan Mansur Shah
The Circle of Life

2024

Portrait of Ming Dynasty princess,
Puteri Hang Li Po. A mirror of a dreamy
reflection of her. While historical records
in China remain silent about her existence.
Her story lives on in Malay chronicles
and cultural memory. Blurring the lines
between history and myth. She represents
the quiet power of soft influence.
2024

Is a historic water well in Malacca, 
believed to have been built for Princess 
Hang Li Po and her entourage in the 
15th century. Though its origins are debated,
 the well stands as a quiet witness to cultural exchange, legend, and the enduring 
story of a royal union.
2024

Sultan Mansur Shah was the sixth 
ruler of the Malacca Sultanate, 
reigning from 1459 to 1477. Under 
his leadership, Malacca reached its 
golden age, flourishing as a powerful 
maritime empire and a  vibrant center 
of trade, culture and diplomacy in the region.
2024

If the hand facing up, it means ready 
to receive the untold fortune, 
acceptance, open to learn new culture 
in new environment. If the hand is facing
down, it means letting go the old, letting
the past, in process of turning into new
leaf. Symbolizes quiet rebirth and graceful
adaption, evokes a turning point where
history, identity and feminity gently
unfold into something renewed.

Grooming
Garden of The Palace
Myth remains a Myth

SOLD

2024


Extension medium of painting “ 梳妆 Morning Dressing”
Hang Li Po is dressed by her lady-in-waiting,
preparing her growing role in new court.
2024

In the hush of the palace garden, flowers bloom 
not in freedom, but in ritual. Each one a whisper 
of the ‘Gundik’, a royal concubines adorned 
in silence. Rooted yet radiant, they unfold 
like secrets, ephemeral, fragrant and bound 
to the soil of longing. Their beauty, like court 
politics, delicate; both a gift and a gilded cage
2024

Debates whether or not is Princess Hang Li Po
is a real historical figure or not. It is doesn’t matter
 anymore. it’s myth contributed to the beginning era 
of Baba Nyonya (Mixed of Malay and Chinese culture)
 in the early 14th century that influenced the golden
 era of Kesultanan Melayu Melaka, the Malacca Empire.





Paintings 绘. 水墨

A series explores the story of Hang Li Po through ink on rice paper. Using splash techniques and expressive brushwork, each piece captures fragments of emotion, displacement, grace, and quiet resilience. 







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